The Loft
A unique performance space for music of all genres
Incredible music can be found at the Mill in two beautiful, intimate spaces, outside in the Loft and inside on the second floor of the Mill. Small audiences mean musicians can perform and discuss their work. Manor Mill has shared music of all genres, including world-class talent from the Baltimore Symphony Orchestra, blues, jazz, bluegrass, rock and more.
Concerts and Conversations
Upcoming Live Performances
June
Sunday, June 1, 3-5PM
The Flying Vees
Friday, June 6, 8-10PM
Selwyn Birchwood
Sunday, June 8, 3-5PM
Frank Solivan & Dirty Kitchen
SOLD OUT
Friday, June 13, 8-10PM
Anthony Frijia and Skribe
Friday, June 20, 8-10PM
The Morel Trio
Saturday, June 21, 8-10PM
The Lowest Pair
Sunday, June 22, 4-6PM
Lilly Hiatt
Friday, June 27, 8-10PM
Mike Compton and Joe Newberry
July
July 10, 8-10PM
House of Hamill
Saturday, July 12, 8-10PM
Phillip-Michael Scales
Wednesday, July 23, 8-10PM
Tray Wellington
Thursday, July 24, 8-10PM
Katie Henry
Thursday, July 31, 8-10PM
Bill Kirchen
June
Selwyn Birchwood
Friday, June 6, 8-10PM
Although award-winning Florida musician Selwyn Birchwood is firmly rooted in the tradition, the young guitarist, lap steel player, songwriter and vocalist sets a course for the future of the blues with his visionary, original music. Birchwood, whose band features the pulsating interplay of his blistering guitar with Regi Oliver’s driving baritone sax, deploys a singular sound and style all his own. He calls it “Electric Swamp Funkin’ Blues,” an intoxicating mix of deep blues, blistering, psychedelic-tinged rock, booty-shaking funk and sweet Southern soul, played and sung with the fire-and-brimstone fervor of a revival tent preacher with a hellhound on his trail. Tastemaker Americana music magazine No Depression says, “Selwyn Birchwood reaches back in the blues tradition to launch something out of this world.”
WEBSITE
Frank Solivan & Dirty Kitchen
Sunday, June 8, 3-5PM
SOLD OUT
Multi-Grammy nominated Frank Solivan and Dirty Kitchen is a torrent of mind-blowing bluegrass. Known for their meaty pile-driving rhythms and Frank’s dynamic and bold vocals, the band’s last two albums have both received a Grammy nomination for Best Bluegrass Album. They have twice been named IBMA Instrumental Group of the Year and earned numerous other IBMA noms including Male Vocalist of the Year, Mandolin Player of the Year, and in 2013, received Banjo Player of the Year. heir massive sound and show stealing performances command the most prestigious stages in the country and abroad; from The Grand Ole Opry to the biggest international festivals across Europe, South America and Australia. The band has performed at the most renowned bluegrass festivals including Telluride, MerleFest, Grey Fox, RockyGrass, Delfest, Strawberry Music Festival, Pickin’ in the Pines, ROMP, and countless more. Frank Solivan and Dirty Kitchen is among the most respected and sought-after bands in the business.
WEBSITE
Anthony Frijia and Skribe
Friday, June 13, 8-10PM
Anthony Frija:
Anthony Frijia has mastered the art of creating live shows that feel more like intimate conversations than performances. Recently voted “Baltimore’s Best Local Artist” in the Baltimore Reader’s Poll, he knows it’s these intimate conversations to which he owes all of his success as an artist.
Fusing folk, blues, and country influences, Frijia’s lyrically-driven songwriting has captivated audiences in the Mid-Atlantic, and across the country as a touring artist, drawing comparisons to Bob Dylan, Tyler Childers, and John Mayer. His knack for storytelling and a great lyric have never been more evident than on his most-recent studio release, “The Artifacts of Letting Go”, an 11-track Nomadic Americana record streaming everywhere and now available on vinyl.
WEBSITE
Skribe:
Annapolis based songwriter Skribe is back at the Mill! “Skribe plays an oil can called a canjo-zookie. It’s an eight-string guitar with a biting, blues-y rasp. Skribe’s got the voice (and the old-school Cadillac) to match. Accompanying himself on the suitcase-kick and hi-hat, Skribe’s “M.I.Y.” is a barn-burning roots number. ”
– Ben Naddaff-Hafrey NPR
The Morel Trio
Friday, June 20, 8-10PM
The Morel Trio makes groove-based instrumental music with intention, avoiding clichés while staying true to the deep traditions of jazz, funk, and Americana. Thriving within tight constraints, they prove that structure can inspire creativity rather than limit it. Built on a nearly 20-year musical partnership, their sound is focused and dynamic.
Featuring Grant Fisher (guitar), Ian Trusheim (bass), and Mike Gambone (drums), The Morel Trio is rooted in strong musical chemistry, delivering performances that are as adventurous as they are immersive.
Join them on the journey—experience The Morel Trio live and stay tuned for their upcoming debut album.
LISTEN
The Lowest Pair
Saturday, June 21, 8-10PM
During the spring and summer of 2020, The Lowest Pair (Kendl Winter and Palmer T. Lee) found themselves camping and sharing songs around the fire with two dear friends and incredible musicians Adam Roszkiewicz and Leif Karlstrom of the instrumental duo Small Town Therapy. Founding members of the progressive string band Front Country, multi-instrumentalists Adam and Leif bring a new dynamic palette of colors to Kendl and Palmer’s own instrumental prowess and expressive lyricism.
The new record “Horse Camp” leans towards each member’s string band roots and showcases brand new Lowest Pair songs Kendl and Palmer wrote during the strange times of the pandemic. The album also includes an instrumental by each musician involved. It’s an awesome display of how a simple collaboration of friends can result in music that is as organic as it is undeniable.
WEBSITE
Lilly Hiatt
Sunday, June 22, 4-6PM
The last few years have been a little hazy for Lilly Hiatt, who finds herself searching for answers on her striking new album, Forever. Recorded at home with her husband, Coley Hinson who produced and played most of the instruments, Forever grapples with growth and change, escape and anxiety, self-loathing and self-love. The songs are intensely vulnerable, full of diaristic snapshots and deeply personal ruminations, but they’re also broad invitations to find yourself in their unflinching emotional excavations. The result is a raw, unvarnished work of love and trust that walks the line between alt-rock muscle and singer/songwriter sensitivity, a bold, guitar-driven exploration of maturity and adulthood from an artist who wants you to know you’re not alone, no matter how lost you may feel.
WEBSITE
Mike Compton and Joe Newberry
Friday, June 27, 8-10PM
Mike Compton and Joe Newberry collaborate with a vision that is both modern and ageless, digging deep into early country music, blues, and other heartbeat sounds of traditional music. Their performances at home and abroad, from venues large and small, showcase soul-stirring instrumentals, numbers from the great American song bag, as well as newly composed songs and tunes that are already taking their rightful place in the new tradition.
WEBSITE
july
House of Hamill
July 10, 8-10PM
Pennsylvania-based House of Hamill is a fixture on festival stages across the US, and have shared their music and stories on the country’s premier folk stages. Their version of “Pound a Week Rise” rose to #1 on the US Folk DJ charts, and the video for their all-violin cover of “Sweet Child O’ Mine” amassed over 16 million views on Facebook, where it was shared over 400,000 times. Their latest release, “Folk Hero,” captures perfectly the frenetic energy and eclecticism of their always engaging live show. Whether they’re ripping through a set of original jigs and reels, adding lush three-part harmonies into traditional folk ballads, or cracking up an audience with stories from the road, House of Hamill puts on a show that captivates audiences from the very first note.
WEBSITE
Phillip-Michael Scales
Saturday, July 12, 8-10PM
Fifteen seconds into his upcoming album Good to Be Here (out April 25), Phillip-Michael Scales sings, “Toes pointed toward the road / Hard times picking at my bones,” before launching into the anthemic chorus: “I couldn’t walk away if I tried / I’m gonna light up the sky.” The song sets a determined tone for the album, reflecting Scales’ journey as an artist.
Without a label or viral hit, Scales has built his career through relentless effort—long drives behind tour busses, self-management, and learning the business firsthand. His music channels the grit of Stax-era soul, cataloging the journey of building a dream brick by brick. Make no mistake there is an undercurrent of fun throughout whether he’s finding love in “Can’t Get Enough” or getting his swagger back in “Be My Own Man.” As Scales puts it: “I wouldn’t say that I’ve ‘arrived,’ but… it’s good to be here.
WEBSITE
Tray Wellington
Wednesday, July 23, 8-10PM
Banjo player Tray Wellington’s approach to the quintessential American instrument is all about looking forward. An International Bluegrass Music Association Award winner, Wellington is critically acclaimed not only for his technical prowess, but also for leveraging his unique point of view to craft a one-of-a-kind voice on the instrument. It’s a feat that’s all too rare in these roots genres that seem to value emulation and regurgitation over all else. Instead, Wellington has time and time again reasserted that his playing style, and all of the many varied and disparate parts that combine within it, is wholly his own – and it’s unconcerned with tradition.
WEBSITE
Katie Henry
Thursday, July 24, 8-10PM
Katie Henry is on her way. The New Jersey songwriter might have started out banging on doors, gigging at New York City's blues clubs, playing piano until her fingers bled and winning over the city one show at a time. But lately, the multi-instrumentalist has raced through career milestones. With the release of her second album, On My Way, co-written with bassist and slide-guitar maestro Antar Goodwin, Katie has announced herself as an alchemist who creates gemstones from the base metals of American roots.
WEBSITE
Bill Kirchen
Thursday, July 31, 8-10PM
Grammy nominated artist and co-founder of the seminal Americana and Roots R ’n’ R band Commander Cody and His Lost Planet Airmen, Bill Kirchen offers a very rare combination of guitar virtuosity, a mastery of roots rock ’n’ roll, and an easy connection with his audience. His guitar drove the Commander Cody classic Hot Rod Lincoln into the Top Ten, and spawned a career that has spanned over 50 years and includes guitar work with Nick Lowe, Emmylou Harris, Doug Sahm, Elvis Costello and many more.
WEBSITE
Interested in performing at Manor Mill? Please use this form or email theloft@manor-mill.com
Brad Selko
National Music Curator
Brad Selko grew up loving music and sharing this passion with others. Among many musical endeavors, Brad was founder, owner and director of the Hot August Music Festival, formally known as the “Hot August Blues Festival", which started on his farm here in Monkton. Brad ran the festival for 28 years, overseeing its transition to Oregon Ridge Park in Cockeysville where thousands of music fans still attend annually.
Emerson Probst
Regional Music Curator
Emerson has been playing bluegrass and folk music around Baltimore since an early age. After a career as an author recruiter in educational publishing, he works with his family real estate business to sponsor charity music events, pulling together local musicians for jams and open mics. His monthly blog "Hereford Music News" features these efforts and can be found at https://herefordmusicnews.com/
FREQUENTLY ASKED QUESTIONS:
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Nope! We will have enough chairs to seat everyone. Seating is first come, first serve.
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We have candy for sale but no food service. We recommend bringing food from home or a local restaurant and finding a spot to sit and enjoy it before the show.
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No. We do not sell any alcoholic beverages onsite, but you are welcome to BYOB. (If you can avoid the red wine, we would greatly appreciate that as we have very old and very beautiful hardwood floors)
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Doors are typically open at least 1 hour prior to the show. The Gallery and Gift Shop are open Wed-Sun 12-6pm so make sure to leave time for shopping before the show!
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We recommend showing up at least 30 minutes before the show starts to get a good parking spot and to get seated for the show.
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Yes! We strongly encourage carpooling, but we monitor ticket sales so that we may accommodate everyone attending concerts.
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No, your name will be on the list at the front desk- please check in upon arrival before heading up to The Loft.
Watch The Honey Dewdrops Play in the loft!
See The Honey Dewdrops play in The Loft! Films and products by Wallflower Wanderer.
The Loft - Photo by Bo Willse